Wednesday, November 30, 2011

Spotify Announces New App Platform

At Spotify’s first U.S. press conference in New York City, the streaming music service announced its new app platform.

The new version of Spotify will include access to applications built by third parties that take advantage of the Spotify library and community. Spotify Platform launch partners including Rolling Stone, Last.fm, Pitchfork and Billboard.

Apps take advantage of Spotify’s vast music library, as well as its deeper social integration with Facebook.

The apps are built in HTML5, which conceivably means they will be easy to access in Spotify apps across platforms. Spotify says that the apps are available first and foremost for the desktop, but if it is a success, apps will come to other platforms. They’ll be available in the Spotify desktop app and to premium and free users.

Spotify says it is open to all developers, but will still manually approve apps before listing them in the Spotify player. A preview version of the Spotify desktop app is now available for users that want to try out the apps early. A consumer release will be issued in December.

Check out this video the Spotify team put together showing off the new platform:

Source is:
http://mashable.com/2011/11/30/spotify-app-platform/

Virgin adds Spotify to Tivo services

Virgin Media has released the Spotify Tivo application for its users and is rolling it out from today.

The service adds on-demand music streaming to on-demand television services, and presumably is much in demand amongst those with a desire for both.

From now, and once it gets around to all of Virgin Media's customers, Virgin Media Tivo users will be able to access their Spotify Premium accounts and the tracks and playlists therein. Virgin Media said that content will appear in the Apps and Games section of the Tivo menu setup.

You know by now, probably, what Spotify is, but Virgin Media told us that its service is perfect for quiet listening on the sofa, whatever that means, or for playing a "digital DJ for the ultimate house party". We presume the company means the ultimate house party that centres around a television.

"The world of digital entertainment is continually changing and we're always looking at ways we can bring our customers the best entertainment for their whole families," said Cindy Rose, executive director of digital entertainment at Virgin Media.

"Our goal to deliver a truly unique experience for our customers and we're really excited about bringing Spotify to our Tivo service as part of our ongoing initiatives to develop the platform further with new features, applications and content."

Tuesday, November 29, 2011

What to Expect From Spotify’s ‘New Direction’ Event

As Spotify gears up for its first-ever U.S. press conference in New York City on Wednesday, speculation is heating up about exactly what the streaming music service will announce.

All Things Digital is reporting that the company is likely to announce that third-party developers can make Spotify’s music library available to their own users. These users would then in turn have to pay Spotify for privileges. However, Spotify declined to comment on whether the event will include news about the company expanding its application programming interface (API).

It’s also rumored that an iPad app and a new music store where members can purchase songs directly from the service could also arrive. The latter is a more likely guess since it’s already possible for European Spotify members to buy songs from the streaming service.

Spotify – which arrived on U.S. shores just four months ago – sent out press invitations last week announcing that it has “exciting news” to share about a “new direction” the company is taking. The event called “What’s next for Spotify?” will stream online and should feature a special guest or two, along with CEO Daniel Ek.

Spotify has been under pressure recently from competitors such as Google Music, the recently-unveiled free service that allows users to upload, share and browse songs, and then listen to them on the go via cloud storage on Android devices.

There has also been an increase in concern among music partners about the impact of streaming on their business. More than 200 labels and publishers pulled out of various streaming services, from Spotify to Napster and Rdio, after a study claimed streaming music was hurting record sales.

Since this will be the company’s first time addressing the press in this manner – it didn’t even hold a press conference for its U.S. launch – buzz surrounding the event has been big.

Some experts believe that if Spotify opens up its platform to third-party developers, the music industry would be more open to a “music everywhere” concept, similar to how the TV industry gave cable customers access to watch TV programming online and via iPad apps, according to All Things Digital. The move could also entice more Spotify users to sign up for paid accounts instead of using its basic free model.

Spotify’s business is growing fast, helped along by its expansion onto Facebook. In addition, the company recently announced that its premium subscription growth doubled in the last year to 2.5 million, making it the largest music subscription service on the Internet. But with the addition of third-party developers having access to the site’s catalog, the growth could be much larger.

“What’s next for Spotify?” will kick off at 11:30 a.m. EST on Wednesday and Mashable will be there live blogging the event.

Source is
http://mashable.com/2011/11/29/spotify-event-rumors-new-direction/

Monday, November 28, 2011

3D television and projector sales are on the rise

While many studios are still struggling to produce quality 3D entertainment in the form of movies and television shows, consumers within the United States seem to be embracing upgrading 3D hardware.

According to new data from NPD DisplayResearch released last week, shipments of 3D high definition televisions rose to 6.6 million units by the end of September 2011. This constitutes a 27 percent increase over the previous year. The research firm also expects that shipments will shoot up another 30 percent in the fourth quarter and 3D LCD TV market penetration will hit 10 percent of the U.S. market by the end of 2011. That will bring the total number of 3D televisions in U.S. homes to 21.5 million. NPD also predicts that regular high definition television sales will make up less than 80 percent of the market by the end of 2012.

Television manufacturers are also producing fewer 2D models and attempting to drive the price down on 3D panels.

Sony 3DTV partySales of 3D-capable projectors shot up by 121 percent in the third quarter and now account for more than 16 percent of the home theater projector install base in the United States according to a report from Quixel Research. The company also expects that over half of all projectors released in the United States will be 3D-capable by the end of the next year. While 3D projector sales have grown consistently over the first nine months of 2011, 2D projector sales have fallen by approximately 20 percent.

While people are apparently purchasing 3D televisions and projectors, the amount of 3D content available to consumers is still limited to a handful of channels on most cable and satellite providers. According to a Retrevo study conducted earlier this month, 40 percent of respondents were concerned about the amount of movies and television shows available in 3D. Over half of the group wasn’t interested in paying more money for a #D-capable television and the average cost of upgrading to 3D was around $400 during the last two months. In addition, only a third of the group had made plans to purchase a 3DTV during 2012.

Source is
http://www.digitaltrends.com/home-theater/3d-television-and-projector-sales-are-on-the-rise/

Sunday, November 27, 2011

Apple taps Sharp to develop iTV: rumor

Apple is allegedly working with Sharp to build the mythical iTV, which could arrive as early as next year, according to market analyst Peter Misek.

Its relationship with Samsung in tatters, Apple is reportedly working with Sharp to develop the rumored iTV, reports Mashable, citing claims by Jefferies analyst peter Misek.

According to Misek, Sharp is building TFT LCD panels for the so-called iTV, a device that still remains mostly a mystery — in fact, there has so far been no evidence that Apple has plans to release a full-blown television anytime soon. But Misek says that the iTV could be ready for production as soon as February, which would put release at sometime in the middle of 2012.

Apple has long used Samsung as one of its primary component suppliers. For instance, about 25 percent of the parts in Apple’s iPhone 4 come courtesy of Samsung. But with the two companies going at each other’s throats in court rooms around the world over patent infringement claims, Sharp has apparently swooped in to pick up the slack.

Rumors of an iTV have been floating around for years. The chatter picked up steam last month, however, after the release of Walter Isaacson’s official biography of late Apple co-founder Steve Jobs, who is quoted in the book as saying that he’d “finally cracked” the mystery of how to make a TV worthy of the Apple brand.

The solution, according to trusted New York Times technology reporter Nick Bilton, is the integration of Siri, Apple’s voice-controlled artificial intelligence engine, which is currently available in the iPhone 4S. Bilton says that Apple has been developing the iTV since 2007, and that it will arrive late next year, or early in 2013.

We are taking this news well salted, as many an analyst has started many an Apple rumor, which later proved false, or far from the original information. Still, it would seem that Apple is at least looking into the possibility of releasing an iTV (or whatever it may be called). But even if that’s true, there’s still no guarantee that it will ever be released.

Thursday, November 24, 2011

Western Digital WD TV Live Streaming Media Player - Review

There are an increasing number of TVs and Blu-ray Disc players that have the ability to access internet-based audio and video content, such as Netflix. However, what do you do if your current TV or Blu-ray Disc player doesn't have that capability? The solution may just be the compact WD TV Streaming Media Player from Western Digital.


The WD TV Live incorporates WiFi connectivity to provide convenient access to a number of popular internet streaming services, including HuluPlus, Netflix, Spotify, Blockbuster On Demand, CinemaNow, and Pandora, as well as being able to access digital media content stored on PCs and media servers, for viewing on your TV or listening on your home theater system. In addition, the WD TV Live also features 1080p video output resolution via HDMI connection.

Wednesday, November 23, 2011

Netflix on Wii just got kids-friendly

Netflix officially rolled out its Just for Kids section on the Wii Tuesday morning, making the kids-friendly previously available only in South America accessible to U.S. customers as well. The roll-out marks the beginning of a wider expansion of a more kids-appropriate interface to connected devices. The company’s director of product innovation David Watson announced the changes on Netflix’s blog:

    When you launch the Netflix app on Wii, you can choose the Just for Kids section, letting the kids browse without worrying if they will come across content not intended for young viewers.

We first reported in July that Netflix was working on a kids-centric UI, and the company rolled it out to all its users on the web a month later. Netflix made the new Wii UI available to its subscribers in South America earlier this month, and a spokesperson told me at the time it would bring a kids-specific section to the PS3 soon after.

Source is
http://gigaom.com/video/netflix-wii-kids-ui/

Tuesday, November 22, 2011

After four years of declines, TiVo adds new customers

TiVo has spent the last several years losing subscribers, dropping to mid-2000s customer levels in the second quarter of this year. But the DVR marker might finally be showing some positive momentum, reporting 117,000 net new customers in its third quarter earnings report.

Those new customers are the result of growth in TiVo’s partnerships with pay-Tv operators, spurred by the addition of partners like Virgin Media and RCN. And that strategy — based around getting cable companies to offer TiVo DVRs to their customers rather than the set-top boxes they’ve been using — could help the company grow even more over the next few quarters. In addition to its existing partnerships, TiVo will see some promotion from DirecTV soon, and Comcast is integrating its video-on-demand service to work with TiVo DVRs that consumers can buy themselves. The company says its partnerships give it a potential footprint of 10 million homes between them, compared to the 2 million subscribers it currently has now.

TiVo is getting traction by promoting its DVRs as a way for cable and satellite companies to provide additional value to their subscribers. Its devices integrate linear TV services with VOD and broadband streaming video offerings, and TiVo boxes can provide more personalization than traditional set-top boxes. It also offers a better search and navigation interface that includes the ability to browse movies and TV shows based on cast and crew information, along with other features. Offering TiVo boxes is one way that those cable and satellite operators can avoid investing in their own pricey custom user interfaces.

The company reported service and technology revenues of $51.8 million, which were up 25 percent year-over-year and above its guidance of $49 million to $51 million. That said, its net loss widened to $24.5 million, which is up from a loss of $20.6 million in the year-ago period but lower than its forecast of a $27 million to $29 million loss.

Source is
http://gigaom.com/video/tivo-3q-2011/

Monday, November 21, 2011

Matcha.tv launches to become your DVR in the cloud

After a few months in private beta, social video recommendations site Matcha.tv has publicly launched with new features, including the ability to help users organize and keep track of the TV shows and movies they love. And it’s not just for online-only distributors like Netflix or Hulu Plus: The company also recently partnered with Comcast to recommend online episodes available to its Xfinity TV customers as well.

Matcha.tv entered its private beta primarily as a site for recommending TV shows and movies. With the latest update, however, the startup has redesigned its site to give users the ability to create queues and help people follow TV shows. The goal, CEO Guy Piekarz told us in an interview last week, is to become a sort of “DVR in the cloud.” Rather than recording their favorite programs on a DVR set-top box, they’ll be able to catch up on new episodes as they become available online.

While introducing a queue for keeping track of online programming, Matcha.tv has also added new content from Comcast’s XfinityTV.com. That integration works just like Matcha’s existing connections with Netflix and Hulu Plus, and will let Comcast subscribers keep track of authenticated, TV Everywhere programming from cable networks like HBO or Showtime. It also adds broadcast content to Matcha’s library from CBS, which has a distribution partnership with Comcast for new shows that aren’t available through Hulu.

For Matcha.tv, getting a major distributor like Comcast on board shows its willingness to go beyond just serving up videos from online-only sources. And it speaks to the future of content distribution, as the lines are being blurred between what’s recorded on a physical DVR, stored on a network DVR in the cloud, or viewed on-demand, either through traditional VOD or online VOD services.

While Matcha.tv is browser-based today, the startup is working on an iPad app that will be built in HTML5 with a native iOS wrapper around it. That will allow Matcha.tv to repurpose the code for other devices, including Android tablets and mobile devices, as well as (potentially) connected TVs or Blu-ray players. The company is also working on second-screen applications that could connect mobile devices with PCs and other screens in the home.

Source is
http://gigaom.com/video/matchatv-dvr-in-the-cloud/

Netflix bringing back Arrested Development

Netflix has scored a big coup in bringing back one of the most critically acclaimed (but little-watched) TV comedies of the past decade. Variety reported that the streaming service finalized a deal with 20th Century Fox Television and Imagine Television to create new episodes of Arrested Development. Netflix later confirmed the deal on Twitter.

Details are scarce, but the parties are looking to introduce new episodes of the series in early 2013, Variety reports. How many episodes would be produced, and how many of the original cast members would be involved, remains unknown. Currently, Arrested Development stars Will Arnett and Portia de Rossi are both working on series at NBC.

Netflix has long been rumored to be in the bidding for a Arrested Development revival. It’s also been widely expected to at some point bring back one popular cancelled show or another, whether it be Arrested Development or maybe Friday Night Lights.

The company, which has about 24 million subscribers in the U.S., is increasingly seeking to differentiate itself with original and exclusive programming. Earlier this year, it announced a major deal to license two seasons of the David Fincher-Kevin Spacey project House of Cards, and is reportedly in talks for a new series from Weeds creator Jenji Kohan.

Source is
http://gigaom.com/video/netflix-arrested-development/

Thursday, November 17, 2011

Chill brings live chat to Hulu’s catchup TV

Chill.com launched a major update to its site Tuesday that included new content from Hulu, bringing the latest episodes of popular shows like House, Castle and Dancing with the Stars to the social video chat site. Users can then watch these shows together in a synchronous fashion and chat in groups and also through one-to-one messaging.


Chill’s take on Hulu’s content comes with an interesting twist: Chill uses a so-called social appointment TV schedule to encourage as many people as possible to tune in at the same time. Episodes of individual shows are scheduled to repeat every three hours and can’t be viewed on Chill.com outside of that schedule. Shows are scheduled to be featured on Chill the day they debut on Hulu.

During a phone conversation Tuesday, Chill founder Brian Norgard told me the site will eventually add more ways to access archived content from Hulu as well, with the end goal being to have all of Hulu.com on the site — but for now, the focus is squarely on shows that are current and in season. “This is the true water cooler effect,” said Norgard.


The site also wants to make it easier for viewers to find new TV show episodes. Fans can subscribe to a particular show to get an email whenever a new episode pops up on Chill.

Chill has long been described as a sort of turntable.fm for video, and the site has certainly taken a few cues from Turntable’s crowdsourced real-time media curation approach. Chill users can still start their own rooms and watch YouTube clips and music videos together, and the site recently announced a partnership with Vevo. “We have had tremendous success with this product, but we didn’t want to be limited by it,” said Norgard.

A number of companies have experimented with real-time social interaction around video content before, including the kind of virtual viewing parties networks like Bravo have been doing as well as Google’s recent integration of YouTube into its Hangouts video chat. Norgard said Chill’s approach is a little different: It doesn’t just try to connect you with your social graph, but instead create social bonds with like-minded strangers.

He went on to say that Chill’s big bet was about a more interactive TV future, as opposed to one that brings online content to leanback platforms. “We are really building Chill for the lean-forward customer,” he told me.

Source is
http://gigaom.com/video/chill-chat-hulu-content/

Wednesday, November 16, 2011

Viewers tuning in to online video for longer periods of time

Long-form video viewing online might soon become mainstream. Nielsen reported Wednesday  that over the last three years, the number of online viewers has grown 26 percent, which is a pretty sizable shift. But the amount of time spent streaming has more than doubled in that time. Check out the graph below for a more granular look into how things have grown:

While the period between August 2008 and August 2009 showed the most dramatic increase in viewing activity, it shouldn’t come as too much of a surprise. After all, Hulu was pretty new back then, as was Netflix’s streaming video service. As those services and others have grown in terms of content available and users tuning in, there was bound to be a sharp uptick in total number of streams.

But the real interesting growth curve is the number of minutes spent watching those streams, which is increasing even faster. Part of that growth is coming from streaming becoming more mainstream as a way to watch on-demand and even live videos. But part is also coming from the influx of connected and mobile devices that are giving people access to streaming video on the big screen and on the go.

At what point will streaming video start to cut into more traditional TV viewing? Internet-delivered video has been seen as mostly complementary to traditional TV. As stats from Nielsen and others have shown, despite the increased adoption of streaming video, the amount of time people spend watching TV continues to grow. But at some point that might change — there are only so many hours in the day, after all.

Source is
http://gigaom.com/video/nielsen-online-video-viewing-time/

Tuesday, November 15, 2011

Infographic: People really hate video buffering

Want people to watch your videos all the way to your end? Then let’s hope they don’t experience any buffering. The average viewing time of a long-form video without buffering is 25.4 minutes, according to new data from video optimization specialist Conviva. Videos that stall, on the other hand, are only watched 12.2 minutes on average.

Check out the infographic below for some more details around buffering:



Of course, it’s noteworthy that Conviva sells solutions to prevent buffering, so it has a vested interest in sharing this information. Conviva optimizes a billion video streams per month, it claims, and 56 percent of those streams get switched to a new bitrate mid-stream to prevent any unwelcome interruptions.

Source is
http://gigaom.com/video/buffering-videos-infographic/

Monday, November 14, 2011

Netflix Signs Deal With Lionsgate UK

Ahead of its launch in the UK and Ireland Netflix has signed a multi-year licensing agreement with Lionsgate UK, the company has announced.

Netflix users in the UK and Ireland, where the streaming movie service will launch in “early 2012,” will be able to watch Lionsgate UK titles instantly on their TV sets, tablets, game consoles and smartphones, for a “low” monthly fee.

Available titles will include older movies such as Reservoir Dogs, Good Night and Good Luck and Blair Witch Project, as well as new hits such as the Expendables 2 and The Hunger Games.

Netflix’s European expansion has been rumored for many months, and the company finally officially announced it will first be coming to UK and Ireland back in October. There, it will compete with movie rental service Lovefilm, acquired by Amazon in January 2011.

With the move to UK and Ireland, Netflix hopes to look past its recent problems. After it separated its DVD service in the U.S. under the name Qwikster, Netflix experienced a huge backlash from users, which forced it to abandon the plan entirely and apologize to users. Its financial report for Q3 2011 was bleak: a loss of 805,000 subscribers resulted in a sharp stock price drop.

Source is
http://mashable.com/2011/11/14/netflix-lionsgate-uk/

Sunday, November 13, 2011

Tech Giants Battle to Control Your Living Room Part one

The Battle between The Living-Room Devices

Apple and Google, the ultimate mobile-space rivals, are making slow but steady progress in their campaigns to penetrate consumers' living rooms, with set-top boxes to complement cable or satellite receivers. Google's initial effort, the Google TV-equipped Revue box, was a flop at $299--but this summer Logitech lowered the Revue's price to a more palatable $99.

And late last month, Google began pushing a free update to Google TV OS, which includes (at launch) some 30 new TV-optimized Android apps. The apps consist mainly of casual games and screensaver-like animations (a faux fireplace, for instance), but apps on your TV have the potential to become the channels of the future. For example, video content providers might launch a video app in the Android Market that offers you either free, advertising-supported content or subscription-based, advertising-free content. What the subscription price turns out to be is one of the biggest unknowns that may help determine whether this approach will stick.

So far, CNBC, CNN, Fox, and Wall Street Journal are on board with apps. Apps on your TV will help transform Google's set-top box OS into a casual gaming platform (eight simple games are currently available, including an Angry Birds clone).

Still, don't place your bets on Google TV until Apple has taken its shot. Steve Jobs biographer Walter Isaacson reports that, at the end of his life, the Apple CEO was excited about a project to create an "integrated television set that is completely easy to use." The Apple set wouldn't need to include complex remotes or a bunch of set-top boxes, Jobs believed.

It's unclear whether Apple's approach will take the form of an integrated television or an inexpensive box--essentially an overhaul of the currently available Apple TV. The new Apple TV may ship as early as 2013, according to reports, and it could be based on Siri, the voice-enabled virtual assistant technology found on the iPhone 4S. A Siri-controlled TV would not be without difficulties, however, as my colleague Ian Paul notes. Siri needs a permanent Internet connection to work, so if your connection went down, you wouldn't be able to control the set, unless there's a backup pushbutton remote.

Who's going to prevail in the battle for your living room? It's too early to pick winners among the competing companies. But the winning approach will surely give you much more control over your entertainment options--allowing you to pay for only the content you're interested in and letting you watch that content when you want to.


Source is
http://www.pcworld.com/article/243360/tech_giants_battle_to_control_your_living_room.html

Thursday, November 10, 2011

Warner Bros. turns to Twitter to promote #UltraViolet

The next step in Hollywood’s effort to educate consumers about its UltraViolet digital rights locker came from Warner Bros., which is taking to Twitter with a promoted trend aimed at getting Harry Potter fans excited about streaming the title to their computers and other devices.


The #UltraViolet Promoted Trend was launched to coincide with the release of Harry Potter and the Deathly Hallows Part 2, which goes on sale on Friday. With the release of the final installment in the popular Harry Potter franchise, Warner Bros. is promoting the ability to own a digital copy for streaming to computers, tablets and smartphones.

The Twitter promotion is just one more effort by Hollywood studios to teach consumers about the benefits of UltraViolet, which in theory will allow consumers to purchase a movie once and watch it anywhere they want to. Then again, if you read the fine print, the deal isn’t as good as first promised: The UltraViolet stream is a standard-def version of the film only, and special features are not included. Finally, while the plan behind UltraViolet is to eventually enable consumers to watch movies that they’ve bought on a wide range of platforms, it also warns that the service is not available on all devices. So much for that.

Restrictions like those explain why some consumers aren’t fans of the digital copy scheme, at least in its initial rollout. UltraViolet has received scathing reviews from consumers who purchased The Green Lantern and Horrible Bosses: the first two titles to be released with the streaming copy attached.

Early reviews from the Harry Potter release aren’t much better. While the DVD has yet to go on sale, there are already a number of one-star reviews attached to the title on Amazon, most of which warn to stay away from the UltraViolet digital copy.
For now, the biggest complaint seems to be with the use of Warner Bros.’ Flixster application for accessing digital copies online and on mobile devices. When other applications and websites come online, consumers might have better user experiences to choose from, which could reduce some complaints. Until then, the studios are facing an uphill battle against consumers that aren’t satisfied with what UltraViolet has to offer.

Source is
http://gigaom.com/video/warner-bros-twitter-ultraviolet/

Wednesday, November 9, 2011

YouTube Launches Broad Entertainment Venture

YouTube is making a bold step into original programming in an entertainment venture with some 100 content creators, from Madonna to The Wall Street Journal.
The Google Inc.-owned video site said Friday that it's launching more than 100 new video channels. The partners include an array of Hollywood production companies, celebrities and new media groups that will produce mainly niche-oriented videos.

YouTube is shelling out $100 million to producers, according to people familiar with the matter, who spoke on condition of anonymity. The money is an advance on advertising money the videos will bring in, and Google will recoup its portion first before splitting the proceeds. Advances are as high as $5 million per channel, said another person familiar with the arrangement, also speaking on condition of anonymity.

Neither person was authorized to comment publicly on the matter.
Google declined to offer financial details of the deals, but said the majority of revenue will go to partners.

Participants include Madonna, former NBA star Shaquille O'Neal, comedian Amy Poehler, actor Ashton Kutcher, "Office" star Rainn Wilson, spiritual doctor Deepak Chopra and "Modern Family" actress Sofia Vergara. Most are creating channels through their production companies. Madonna is a partner with the dance channel DanceOn, while O'Neal plans the Comedy Shaq Network.

Lionsgate is presenting a fitness channel, and other channels will be launched by news satire the Onion, professional wrestling's WWE, online magazine Slate and news service Thomson Reuters.

The channels will roll out beginning this month, though most will premiere next year. YouTube says the channels will add 25 hours of new original content daily, with dozens of Web series debuting at scheduled times.

Ultimately, YouTube is aiming to create a new digital video platform that will rival television programming.

In a blog posting Friday night, YouTube said the channels are being developed "specifically for the digital age." The video site compared the expanded video offerings to the advent of cable television.

YouTube has tried to build a more advertiser-friendly product of professional-quality video, as opposed to simply user-created videos. Advertisers generally prefer to have their ads matched with known quantities. YouTube has also previously tried to urge viewers to stay longer with TV-like services like the YouTube Leanback, which continuously plays a personalized selection of videos.

Google is also looking to add professionally produced content to its huge roster of user-generated videos, to give users of its Google TV platform something to watch.
Major Hollywood networks such as News Corp.'s Fox and The Walt Disney Co.'s ABC have blocked their content from being shown on Google TV because the sides have been unable to come to a licensing deal that the networks believes pays them fairly. Networks also don't want to jeopardize their lucrative relationship with pay TV distributors like Comcast Corp. and DirecTV.

Google is a platform that has been adopted by set-top box maker Logitech, which makes a device called a Logitech Revue that sells for $100.

Source is
http://www.sci-tech-today.com/story.xhtml?story_id=021002KERQSU

Tuesday, November 8, 2011

Umami for iPad: The Ultimate TV Companion Knows What You’re Watching

Umami is a new iPad app that aims to bring an enhanced, second-screen experience to broadcast and cable TV programming.


Second screen apps are becoming standard fare for networks. Using audio fingerprinting technology, these apps can tell what you’re watching — and provide an updated, customized experience based on the show.

At the Mashable Media Summit last week, second screen experiences were highlighted as one of the major media trends of 2012. Until now, however, most of these experiences have been crafted specifically around one show or network.

This requires users to download individual apps for the shows or networks they frequently watch. Umami aims to work with a large cross-section of programs and networks, both broadcast and cable-based. The app offers quick access to cast and crew listings, descriptions of other recent episodes, quick links to official social media accounts and related tweets from across the web.

Video about how it works


Monday, November 7, 2011

Britain's Music Industry: ISP Should Block The Pirate Bay

Following a UK court's order for ISP BT to shut off access to Newzbin2 for its subscribers, Britain's music industry wasted no time to take advantage of this precedent by calling for the blocking of The Pirate Bay.

By allowing the blocking of Newzbin2, a website that calls itself the Google of usenet, and a website that merely linked to potentially infringing content, the court's ruling now opens the way for the blocking of other websites deemed unacceptable by the music and movie industries in the UK.

The BPI, the body representing music industry interests in the UK, has urged BT to block The Pirate Bay which the music industry lobby group calls "a huge scam".

"It defrauds musicians and other creators of their wages, and it destroys UK jobs," BPI's Chief Executive Geoff Taylor added, despite the industry's own report detailing revenue growth and salaries that are higher than many other industries.

Taylor continued his impassioned plea, or what the copyright lobby's critics may call "fear-mongering", by linking The Pirate Bay to the spread of malware and even hinted at some kind of link between the Torrent search website and child pornography. "(The Pirate Bay) exposes consumers to the risk of viruses, theft of personal information and inappropriate content," explained Taylor.

BT has yet to respond to the BPI's requests.

Source is
http://forum.digital-digest.com/f145/britains-music-industry-isp-should-block-pirate-bay-95338.html

Sunday, November 6, 2011

Comcast’s XfinityTV.com gets an HTML5 facelift

Comcast has launched an all-new interface to its XfinityTV.com website, providing users quicker access to content and more tools to connect their online viewing with what they watch on TV and on its video-on-demand service. The updated user interface, which was built in HTML5, puts more emphasis on graphical elements, provides one-click viewing from the front page and allows users to add content to a queue to be watched later.

Taking cues from iPad app development

With the relaunch of its XfinityTV.com website, Comcast is actually using what it has learned from the release of on-demand videos on its iPad app, Matt Strauss, SVP and GM of Comcast Interactive Media, told us in an interview earlier this week. Due to the iPad’s touchscreen controls, it made sense to have a very interactive, visual interface on that app. But a lot of what makes navigating the iPad app a breeze could also be applied to the new website.
Comcast also worked a lot on improving content discovery. The website has more than 27,000 program choices available, which means it needs a robust search and discovery tools to make finding the content you want to watch easy. As a result, it has rolled out recommendations based on content that users have added to the queue to be watched.

Keeping a TV connection

Just as important, Comcast isn’t thinking just about highlighting that content on the XfinityTV portal, but showing users where and when they can access it on their TVs as well. The user queue aggregates linear TV and VOD listings, allowing users to set their DVRs to record shows directly from the website and to force tune their set-top boxes to start playing VOD titles on the big screen when available.
Integrating TV and DVR controls into its web and mobile applications isn’t a new thing for Comcast. The company’s iPad app, for instance, originally launched as a way to browse channel listings and control DVR functions before it added on-demand content from the company’s content partners. Even now, the thing people most use the iPad for isn’t on-demand video viewing, but the tools for navigating and controlling content on their TVs, Strauss said.

Blurring the lines

All this is meant to encourage new user behavior — after all, most people don’t think of using a website to control a TV — and to blur the lines between the different web, mobile and connected TV applications that Comcast is working on bringing to market. As users begin to use all these different devices, there’s the potential to carry over recommendations from the website to the iPad and potentially even to the next generation of set-top boxes that Comcast hopes to introduce.
Ultimately, Comcast hopes to use this interactivity to provide more value to its subscribers, wherever they are and on whichever device they wish to access its content from. Doing so can help set it apart from other operators and online video distributors.

Source is
http://gigaom.com/video/comcast-xfinitytv-redesign/

Thursday, November 3, 2011

What Apple needs to provide users to make iTV successful

Apple’s television plans are the subject of plenty of recent speculation, and are raising a lot of questions in consumer minds, as I found out Thursday while guest-moderating a live Q&A at The Washington Post. Questions raised there, along with my own thoughts, led me to this list of things Apple needs to do to make a truly disruptive standalone TV:

1. Not just apps, but an app store. The current Apple TV has apps. They aren’t advertised as such, but the menu options that lead to MLB, NBA and NHL subscriptions, as well as the Vimeo and YouTube channels are basically apps. While doling out new apps in batches via software updates is appreciated, a real app store is the special sauce that will cause an Apple television to take off.

2. High quality live content. Live video could go a long way toward convincing users to switch ponies and abandon traditional cable or satellite providers for streaming video. Apple has done a good job of bringing sports to the current Apple TV, but it’ll have to deliver pay-per-view events, nationally broadcast live programming, and still more sports to sway users who demand to be kept in the loop and don’t like spoilers.

3. Break the bundle. The aspect of current cable and satellite TV packages that makes them most unpalatable is the bundle; If you’ve ever tried to order a speciality channel on its own, you know exactly what I’m talking about. Breaking up the bundle would probably be the most effective way to tempt users to buy its product, but it’s the part that Apple will probably also have the hardest time striking deals to achieve.

4. Games. A lot of the questions I’m seeing about an Apple television have to do with games. The reason? IOS did (and still does) an amazing job of generating high-quality gaming experiences at a fraction of the price of consoles. Suddenly, people who always thought picking up a controller was a waste of time and money are flinging things at other things like there’s no tomorrow. If Apple can translate its iOS gaming success to an integrated television, iOS gamers will flock to it.

5. Stand-out hardware. One question during today’s Q&A stuck out in particular: Why would Apple make a television set when it could just make a better box? The reason is another potential selling point; specifically, Apple could only justify making its own TV if it makes that TV really amazing. Apple definitely has the pedigree, since it produces industry-leading displays on its mobile devices, computers and computer monitors. Make a TV that dazzles and really looks great in a living room, and you’ve got a big buying incentive right there.

Siri integration and a unified content browsing and playback experience through iCloud and the iTunes media ecosystem are things that could make an Apple television interesting, but they won’t set an industry aflame. That’s what the five points outlined above could do, by reaching out to consumers and providing them with outstanding experiences in areas where a lot of current service offerings fall flat.

Source is
http://gigaom.com/apple/what-apple-needs-to-provide-users-to-make-itv-successful/

Wednesday, November 2, 2011

Plex app brings local media, Spotify to Google TV

Hot on the heels of this past weekend’s massive update of the core Plex software comes the announcement that the media center is now also available on Google TV.

The Plex team added compatibility with Google TV to the latest version of its Android app this morning, bringing local media sharing on steroids to devices that have already received the Google TV 2.0 update that is rolling out this week. From Plex’s Android blog:

    Now — we’ve heard Google TV maligned many times over the past couple weeks. We’ve heard it said that the new Google TV is not newsworthy. I admit I was a bit skeptical at first — but I’m here to tell you that we’ve been impressed with how Plex performs on our demo unit.

Google TV users will have to install the Plex media server on one of their computers to make full use of the client. Among other things, the app supports playback of media shared within the home network, as well as access to a number of Internet content channels. The most noteworthy one at this point might be Spotify, making it possible to access the music streaming service on Google TV devices before Spotify has launched an official app.

The Google TV implementation also comes with complete support for Plex’s new cloud service and its media-sharing capabilities, which means that Google TV users can now easily access their friends’ personal media libraries.


Source is
http://gigaom.com/video/plex-google-tv/

Tuesday, November 1, 2011

Is Redbox Dumber Than Netflix?

Renting a DVD from one of the shiny disc-spewing kiosks will set you back $1.20 a night starting this week, up from the round $1 price point that Redbox parent Coinstar (CSTR) has been promoting for years.

Hiking its DVD rental rates by 20% is a gutsy call. It comes on the heels of Netflix (NFLX) facing 800,000 net domestic cancellations in its latest quarter after a poorly received move to begin charging subscribers on its unlimited DVD plans for streaming -- and that's despite lowering the price of its stand-alone DVD plans. Brick-and-mortar rival Blockbuster has been embracing lower price points on its rentals.

It's the wrong move at the wrong time, and the sad clincher is that it's not even necessary.

Seeing Red over Redbox

"This marks the first price increase for a Redbox standard-definition DVD rental in eight years," Coinstar CEO Paul Davis explained last week. "The change is primarily due to the increase in operating expenses, including the recent increase in debit card interchange fees as a result of the Durbin Amendment."

Consumers know all about the debit card interchange fees that recently went into effect. It's what inspired the notorious $5 monthly fees at Bank of America (BAC) for debit card holders who use the plastic for purchases. It may seem like a case of double dipping -- getting hit at both the bank level and merchant level -- but the bigger question here is why Coinstar isn't limiting the 20% increase to debit card users.

Coinstar points out that this is just one of the new cost components it's passing on to end users. However, its financials tell an entirely different story. Coinstar's revenue and earnings from continuing operations climbed 23% and 73% respectively in its latest quarter. Anyone who sees profitability growing three times as fast as actual sales would question why customers are being hit with an increase at a time of widening margins.

Is Coinstar hoping that Redflix customers can't interpret an income statement, or are costs about to ramp up substantially?

Four Weeks at a Time

Movie studios have always hated the way that Redbox, with its cheap rentals, and Netflix, with its video buffet model, devalue their product.

Warner Bros. parent Time Warner (TWX) came up with a solution last year. Realizing that 75% of its DVD sales take place during a movie's first four weeks on the retail market, it struck deals with Netflix and Redbox. If they would agree to hold off on making their new releases available for 28 days, Warner Bros. would provide the two companies with more DVDs at lower price points. It was a win-win for the parties. Time Warner would get the bulk of its DVD sales before the cheap renters began stocking the releases. Netflix and Redbox would get even cheaper DVDs. Couch potatoes were the ones who got mugged here, but you didn't see Redbox lowering its prices just because its costs got cheaper.

Why should prices go higher now? The Warner Bros. deals expire this year, and Time Warner is reportedly aiming for an even longer release window. There doesn't seem to be any conceivable way that Redbox goes through with a price hike in November when some of its discs are about to get even cheaper next year, unless Redbox doesn't think that its celluloid buffs know how to read distribution contracts either.

Blockbuster Gets Busy

Dish Network's (DISH) Blockbuster has been playing up the 28-day delays for many new releases at Netflix and Redbox since last year. Now it's armed with new ammo.

"First Netflix raises prices, now Redbox has you seeing red again," rival Blockbuster shrewdly Tweeted shortly after Redbox's 20% hike last week.

It's not a fair knock to Netflix, since the cost of its unlimited DVD plans fell by $2 a month when it began charging for streaming. Blockbuster doesn't offer unlimited streams with the exception of the new $10 a month Blockbuster Movie Pass, but that's only available to existing Dish satellite television subscribers.

Then again, Blockbuster can probably get away with a few mistruths while Netflix is in the doghouse.

Bucking the Trend

Redbox had a good thing going with its optical rentals at a round price. There's nothing magnetic about $1.20. Just ask McDonald's (MCD).

Mickey D's isn't the world's largest restaurant chain by accident. It has mastered the art of fast food at compelling price points. One of its biggest winners is its Dollar Menu. When franchisees began complaining of the hit that they were taking offering double cheeseburgers for a buck, the McDonald's solution was to introduce the McDouble in 2008. Offering two meat patties but a single slice of cheese would save operators a few pennies per burger, while also allowing them to charge a little more for the double cheeseburger itself.

Redbox could learn a thing or two about McDonald's -- a company that was actually an initial investor in Redbox.

Why didn't Coinstar work with more studios to be able to afford its buck rentals? Why didn't it stick to its old price, but offer brand-new releases at a slightly higher price? Redbox, after all, already offers Blu-ray discs and video games at higher price points.

This is just the wrong time to introduce an across-the-board hike. Two dimes may not seem like much, but the consumer perception of an insensitive -- and by most accounts unnecessary -- move can prove to be more costly.

Source is
http://www.foxbusiness.com/industries/2011/11/01/is-redbox-dumber-than-netflix/

Channels and Celebrities: Say Hello to the New YouTube

YouTube is partnering with Ashton Kutcher, Amy Poehler, Shaq, IGN, The Wall Street Journal and dozens of others to launch a slew of premium video channels.

The channels, which have been in the works for months, is a big and risky play to get premium content onto its servers. Google (YouTube’s owner) is reportedly spending $100 million to secure the deals for its original channels.

“The first of these new original channels will appear on YouTube starting next month and will continue over the next year,” YouTube Global Head of Content Partnerships Robert Kyncl said in a blog post. “They’ll be available to you on any internet-connected device, anywhere in the world, with all the interactivity and social features of YouTube built right in.”

The channels will be anchored by a celebrity lineup that includes Madonna (DanceOn), Shaq (The Comedy Shaq Network), Rainn Wilson (SoulPancake), Ashton Kutcher (Katalyst Thrash Lab) and Deepak Chopra (Generate The Chopra Well). YouTube’s partnerships run deeper than celebrities though: WWE, WSJ, The Onion, SB Nation, Demand Media, CafeMom, TED, IGN, Slate, Bleacher Report, InStyle Magazine and Lionsgate are all partners that will seed the content for the new YouTube channels.

YouTube has also launched a preview site for the new channels.

It’s no secret that Google has been wanting to move more into premium video. It’s far more monetizable than cat videos, and it sets up YouTube to be the cable channel of the future. It acquired Next New Networks to help it produce more premium content, and it isn’t sparing any expense to land big-name celebrities for its channels. It won’t be long until we see whether those deals were worth the price.

Source is
http://mashable.com/2011/10/29/new-youtube-channels/